Bound
The DoublePlusGood Quilt is done.
My plan to have it quilted in a honeycomb/hexagons worked out quite well. The long arm quilter I took it to, Bernie, was happy to order and work with the pantograph I had found on the internet.
Once it was quilted, however, we realized that the width marked 3.5" above (my marking and my confusion) should have been 7" This meant that there were great big areas of the quilt that weren't quilted--the inside of a 7" hexagon. Oi. Bernie and I laid the quilt out on her floor and tried to decide what to do.
Pick it out and start over? I almost never pick anything out. I think in the entire course of making this quilt I only unpicked one seam and it was because I had stitched in a block upside down (and it had words on it).
Add something inside the hexagons? Too distracting, I thought.
Add another all-over pattern? Maybe, but what?
Ultimately, we decided to add in straight vertical lines all over the quilt. They are ruler straight and between .5 and 1.5 inches from each other.
The final outcome is pretty awesome. Depending on the angle at which you view the quilt, the quilting either disappears, or you see the hexagons, or you mostly see zig-zags, or you mostly see the vertical lines. The thread used is a Sulky Blendable and it mostly disappears, which is what I like in quilting. I'm 90% about the piecing and so I want quilting that doesn't distract from, but supports the effect of the piecing.
Anyway, when I got the quilt back I then had to make some decisions about the binding.
I often have an idea about the color of binding I will use from the get-go, but I did not in the case of this quilt. I auditioned quite a few colors and ultimately settled on using some Kona Curry.
This is a decision I'm still not 100% confident in. But, I'm thinking it will grow on me.
Part of why I chose the Curry is because it looks really nice with the backing. Some of the other colors I auditioned (lime green, off-white) did not.
The backing is a nice quilter's flannel that I got for a steal a few years ago. It has been hanging in my closet waiting for a quilt to back.
By the way, check out the awesome corners on this thing!
I recently noticed that my corners, never having been perfect, were getting WORSE. While I don't demand perfection of myself, I do expect improvement, so I read over the instructions for binding in Denyse Schmidt Quilts: 30 Colorful Quilt and Patchwork Projects
just before sewing on the binding and ended up with a much better result than my recent attempts. This is straight-grain binding, cut at 2.5" and with a single-fold. If you've never read over Elizabeth Hartman (Oh Fransson!)'s directions for making continuous binding (find it here) I highly recommend it!
I finished stitching on the binding at a sew-in with some ladies from the Ann Arbor Modern Quilt Guild. It's been raining since then, but I finally snuck the quilt out during a break in the gloom to snap a few pictures of it on the monkey bars:
By the way, as I was taking these pictures, a 20-something guy with a backwards baseball cap and tattoos all up his arm, driving a pick-up truck with over-sized wheels, leaned out his window to tell me he loved my quilt. Pretty cool.
My plan to have it quilted in a honeycomb/hexagons worked out quite well. The long arm quilter I took it to, Bernie, was happy to order and work with the pantograph I had found on the internet.
Once it was quilted, however, we realized that the width marked 3.5" above (my marking and my confusion) should have been 7" This meant that there were great big areas of the quilt that weren't quilted--the inside of a 7" hexagon. Oi. Bernie and I laid the quilt out on her floor and tried to decide what to do.
Pick it out and start over? I almost never pick anything out. I think in the entire course of making this quilt I only unpicked one seam and it was because I had stitched in a block upside down (and it had words on it).
Add something inside the hexagons? Too distracting, I thought.
Add another all-over pattern? Maybe, but what?
Ultimately, we decided to add in straight vertical lines all over the quilt. They are ruler straight and between .5 and 1.5 inches from each other.
The final outcome is pretty awesome. Depending on the angle at which you view the quilt, the quilting either disappears, or you see the hexagons, or you mostly see zig-zags, or you mostly see the vertical lines. The thread used is a Sulky Blendable and it mostly disappears, which is what I like in quilting. I'm 90% about the piecing and so I want quilting that doesn't distract from, but supports the effect of the piecing.
Anyway, when I got the quilt back I then had to make some decisions about the binding.
Part of why I chose the Curry is because it looks really nice with the backing. Some of the other colors I auditioned (lime green, off-white) did not.
By the way, check out the awesome corners on this thing!
I recently noticed that my corners, never having been perfect, were getting WORSE. While I don't demand perfection of myself, I do expect improvement, so I read over the instructions for binding in Denyse Schmidt Quilts: 30 Colorful Quilt and Patchwork Projects
just before sewing on the binding and ended up with a much better result than my recent attempts. This is straight-grain binding, cut at 2.5" and with a single-fold. If you've never read over Elizabeth Hartman (Oh Fransson!)'s directions for making continuous binding (find it here) I highly recommend it!I finished stitching on the binding at a sew-in with some ladies from the Ann Arbor Modern Quilt Guild. It's been raining since then, but I finally snuck the quilt out during a break in the gloom to snap a few pictures of it on the monkey bars:
